Thursday, February 10, 2011

Taking a Stand for Freedom


"Let’s hope that as talk radio hosts find time for reflection, and commentators step back to take a deep breath, they will recall that one of the most hopeful aspects of the current conservative revival is its reclamation of the American constitutionalist tradition. That tradition is anchored even beyond the Constitution, of course, in the Declaration of Independence. And that document, let’s not forget, proclaims that, 'Whenever any form of government becomes destructive of these ends [life, liberty, and the pursuit of happiness], it is the right of the people to alter or to abolish it.'

An American conservatism that looks back to 1776 cannot turn its back on the Egyptian people. We should wish them well—and we should work to help them achieve as good an outcome as possible."


The above was penned by Bill Kristol, a man I normally have very little time for.  In fact, on more than one occasion, in the heat of intoxicated argument, I have demanded he be brought before the Hague and tried for war crimes (how is that for championing civil discourse?).  However, a call to honor the commitment to liberty and the revolutionary courage of our forefathers, that I can get behind.  It is bizarre that self proclaimed standard-bearers on both sides of our debilitating political discourse always take these calls for rhetorical consistency, for a return to core ideas and values, as acts of heresy.

I also have to show a little begrudging respect to the libertarian Republican house members who stood by their convictions and voted against the PATRIOT ACT renewal.  There is a lot I do not like about the tea party movement, but if just a few of these men and women continue to vote their conscience the dynamic inside the beltway may be better for it.  It will surely give their benefactors a shock to the system.

Did anyone look up from the chip bowl long enough before the supergame to witness this madness:




It was a very surreal experience.  Not the heavy handed patriotism laced into our media/sporting events, <911 I have made my peace with that.  It was the total strangeness of having soldiers and aged athletes perform a cold reading of what is essentially a revolutionary manifesto.  

The Constitution is our founding document, it codifies basic rights and freedoms and puts in place protections for those rights and freedoms.  It does not sound that odd when read aloud by school children.  The Declaration of Independence is a document of a different stripe.  Its lines call out an occupying power on its many grievances.  The words "tyrant" and "despotism" appear to great effect.  It demands certain rights with the explicit threat that if these rights are withheld they will be taken by force.

No matter how dryly one reads "it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security." from a teleprompter it will still carry a touch of menace, that goes double if one is surrounded by uniformed soldiers on the deck of an aircraft carrier.
  

Wednesday, February 9, 2011

Ray Caesar - A Gentle Kind of Cruelty

Kingdom


Ray Caesar’s new show for Jonathan Levine, A Gentle Kind of Cruelty, is as unnerving and enchanting as fans of Caesar’s work expect.  His unique female figures, with their unsettling combination of pale childlike innocence and stern, world-weary gazes are as alluring and as provocative as ever.  Though the show definitely presents a singular unified experience, the work on display lends itself to a division into two aesthetic themes.

On one hand there are pieces that have taken on elements of what the press release calls a “more painterly approach”.  There are more muted pallets and softer edges to the figures.  Some of the pieces are treated with a layer of varnish that crackles at the surface allowing for the illusion of age and history and adding a wonderful textural element to the experience.  Perhaps the most striking example of these new methods is Ancient Memory, a warm, gently lit portrait that could almost have been painted by an old Dutch master.  Except, of course, that it couldn’t be. This nimble dance involving allusions to the past, the illusion of antiquity, novel subject matter and fresh technology is one of the main things that brings a unique vibrancy and engagement to Caesar's work.

Ancient Memory
In contrast, several of the pieces embrace and exaggerate the gloss and shine of the modern printing process, using highly stylized color pallets and maddeningly fine detail.  Several of these pieces contain a lurid, hyper-gloss liquid lacquer from which organic forms emerge as if from the aether. This alien fluid also appeared in a group show piece from last year, Returns of the Day.  In Gentle Kind Of Cruelty, the image takes on several different forms.   In Impromptu the impossibly shimmering piano appear unstable.   It’s spindly legs fluid and asymmetrical, defying basic physics.  It is as if the strange glossy fluid of which the furniture is constructed has not yet fully set or cured, or perhaps something has caused it to be destabilized, it’s atomic structure regressing from a solid state to something looser and more chaotic. 

Impromptu
In another piece, Kingdom, this use of liquid imagery is more obvious and more whimsical.  Here we see another porcelain-pale female figure (though to my eyes she appears a year or two more mature than the standard Caesar figure).  She lazily conjures a small city from a liquid floor so smooth it is mirror polished.  Is this perhaps a subtle nod to the medium in which these work is created?  Is this appearance of the hyper-gloss liquid god-stuff and it’s destabilizing effect on the reality of the scene similar in a way to the early impressionists’ employment of visible brush strokes in their paintings?
Unlike the paintings that Caser’s work allude to, these pieces are not made of oil or pigment of any kind.  True there is the ink and canvas of the print hanging that hangs in the gallery, but these materials were not present at the work’s inception.  The work of art was born of code, 1s and 0s, and at the visible level an astronomical number of colored pixels.  Much like the figure in Kingdom, the artist conjurers the image from a seemingly unknowable and intangible substance.  This peculiar liquid lacquer, this impossibly glossy god-stuff, then can be viewed as an allusion to the peculiar nature of the creative process in the digital age.
In both the hyper-modernized imagery of the lacquer pieces and the allusions to antiquity in the more painterly pieces one can see another layer of narrative being added to the Caesar’s already narratively rich work.  In different way each of these experimentations in form and content opens a dialogue not only with the medium of the work but also with the post-modern, yet strangely ahistorical moment in which we find ourselves.

A Gentle Kind of Cruelty closes February 19th.

Friday, February 4, 2011

More Dick?




Do you want more Dick? Sure we all do. The third and final Swingshift story arc soon come.

Thursday, February 3, 2011

Conjurers' Dub - Vol. 2

above a still from Maya Deren's Divine Horsemen

"The tracks succumb to apparitions, become porous, crackle like the celluloid burning up a the end of Persona. Degeneration = Regeneration. Sound susurrates into an electromagnetic nth world through which ghosts grow, effects superimpose and wraiths congregate."
    
     - Kodwo Eshun: More Brilliant Than The Sun

A new bass heavy mix designed for those magical late-night/early-morning hours when spirits are summoned from obsidian and mad-beautiful ideas are conjured through key strokes. A sequel to last years Conjurers' Dub, to my ears this mix has a little more drive than its older sister but there is still enough bass and space to do the job.

My aim was an elastic mix of drag, doomjazz and dub-techno custom built for long winter nights spent trawling the abyss. Let me know what you think.


Conjurers Dub Vol 2 (mix) by kelcey

1.The Mount Fuji Doomjazz Corporation – Deadly Rehearsals
2.Forest Swords – Rattling Cage
3.Demdike Stare – Bardo Thodol
4.Water Borders – Akko (Petals remix)
5.Roman Lindau – Keppra
6.Fever Ray – Seven (Marcel Dettman remix)
7.Eliphino – I Just Can't
8.Raime – This Foundry
9.Badawi – The Axiom (Andy Stott remix)
10.L.B. Dub Corp. - It's What You Feel
11.Onmutu Mechanicks – Lupus Moon (Xdb remix)
12.Nick Hoppner – Isp
13.Mike Shannon – Under the Radar (Deadbeat remix)
14.Scuba – Tracers (Deadbeat remix)
15.Rhythm & Sound (feat. Tikiman) – Acting Crazy
16.Resoe – Minus & Plus (Sigha remix)
17.Lerosa and Donato Dozzy – Neon Snake
18.Alice Russell – Hurry On Now (Emika remix)
19.Echologist (feat. The Spaceape) – Mercy Beat (Mri vs. UES remix)
20.Bvdub – A Silent Reign
21.Forest Swords – Hjurt (Pariah remix)
22.oOoOO - Sedsumting